The cutting edge soft-synth is an additive synthesis dream as it consists of up to 320 partials with a sound that remains crisp and clear even when it’s heavily modulated. Native Instruments’ Razor is as sharp as it sounds. It’s interesting to note that most additive synths don’t consist of any filters (in the traditional sense) as these are sculpting tools, where additive sounds are essentially built from the ground up. Sine waves are the most commonly used in this instance, as they are regarded as the purest of waves with no unwanted harmonics, and when combined can be easily controlled. You start with nothing and build additional harmonics until synthesising the desired sound. Whereas subtractive synths work by sculpting a sound, chipping away at parts until the desired sound is created, additive synths combine different sine waves of different frequencies and levels until the desired sound is created. This monophonic synth was modelled on the Minimoog Model D and is a great piece of tech for those looking to create bass and lead sounds with powerful tones.
One, in particular, is Native Instruments’ Monark. In addition to Diva, there are a number of fantastic synths that closely emulate analog hardware on the market. Honourable Mention: Native Instruments Monark (£78) Many of Diva’s components, including those in the envelopes, filters and oscillators, were modelled on some of the legendary monophonic and polyphonic synths of yesteryear and it comes equipped with over 1200 presets for you to experiment with. It’s become so popular among producers due to its ability to capture the spirit of various analog synthesizers. The epic sound sculpting tool, Diva, from u-He is a must-have for any producer looking for a powerful subtractive synth.
These type of synthesis are recognised as the origins of synthesis, having been derived from the early analog models. The way it works is by running a signal (sound) from the oscillator to the filter EQ and then onto an amp for ADSR (Attack / Decay / Sustain / Release) control. A subtractive synthesiser consists of an Oscillator, Filter, Amp and LFO. It works, as its name suggests, by beginning with a rich sound source and removing frequencies until the desired sound is sculpted (subtracted). The subtractive synth is traditionally the most commonly used amongst producers. Plus, we’re currently offering 25% Off our selected online and LA courses until 9th November when this offer ends using the codes ONLINE25 and LA25. If you’d like to learn more about how subtractive, additive, FM and other types of synths work in more detail, why not enrol on a Point Blank course? We offer programmes which specialise in Music Production & Sound Engineering.
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Check out our most recent 9 Must Have Free Plugins roundup here and be sure to follow the jumps to our previous ones.
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If you’d like to get your hands on some fantastic software synths for free we regularly share our favourites. This way, rather than owning countless plugins which perform similar functions, you can stock up on and master those with unique sonic characters. Whether it’s subtractive, additive, wavetable or FM synthesis (to name a few) there are DAW plugins which are renowned for performing each type of synthesis excellently and we’re going to tell you which ones are best for the job and why they deserve a space in your armoury. There are a number of different types of synths to explore when working with hardware and software and it always helps to get an idea of how they work. As a musician, working with different types of synths can be a rewarding way to experiment with electronic music production and learn what’s what in the world of synthesis.
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